An “Urban Opera” in Toulouse Using Massive Machines is Denounced as a Satanic Ritual

In July, Paris hosted the opening ceremony of the Olympic games, which had less to do with sports and more with celebrating outright evil. A few months later, another French city decided to host a massive event that turned its streets into an outdoor Satanic temple. Titled “La Porte des Ténèbres” (“The Gates of Hell”), the festival featured massive machines moving around the city and interacting with each other. While the idea sounds cool, there’s a catch: The machines represent demons, and the entire story is wholly Satanic.

The prologue of this “urban opera” highlights the ritualistic undertones of its story.

“Driven from the Garden of the Hesperides, Lilith, the scorpion woman, has found refuge in the depths of the Earth. Freed by Hades, king of the underworld, she wanders from city to city in search of damned souls to increase her followers and her power. (…) Assembling prodigious signs, she attempts to open a passageway to the beyond.”

This poster promoting this urban opera is highly symbolic.

This poster deserves a closer look because it sums up the true meaning of this festival. At the top left, the Toulouse Cathedral and the rest of the city are burning. Underneath it, a red, horned beast highly reminiscent of Baal references human sacrifice to please dark forces. At the bottom right, an angelic figure stands above walking skeletons. It most likely represents Lucifer, also known as the Fallen Angel.

At the poster’s center is the opera’s main character, Lilith. This name is not random: Lilith is the primordial “she-demon” cited in the mythology of multiple civilizations.

Lilith, female demonic figure of Jewish folklore. Her name and personality are thought to be derived from the class of Mesopotamian demons called lilû (feminine: lilītu), and the name is usually translated as “night monster.” A cult associated with Lilith survived among some Jews as late as the 7th century ce. The evil she threatened, especially against children and women in childbirth, was said to be counteracted by the wearing of an amulet bearing the names of certain angels.
– Encyclopædia Britannica

Underneath Lilith is a character named Asterion the Minotaur. The labyrinth behind the character is a direct reference to Cretian occult mysteries.

A depiction of the Minotaur roaming around the labyrinth of Crete.

Labyrinths were symbolic of the involvements and illusions of the lower world through which wanders the soul of man in its search for truth. In the labyrinth dwells the lower animal man with the head of the bull, who seeks to destroy the soul entangled in the maze of worldly ignorance. (…) The famous labyrinth of Crete, in which roamed the bull-headed Minotaur, was unquestionably a place of initiation into the Cretan Mysteries.
– Manly P. Hall, The Secret Teachings of All Ages

The Minotaur is also known for eating human flesh, a fact that plays nicely with the occult elite’s obsession with cannibalism.

While the event was promoted as an “urban opera,” the symbolism peppered throughout is everything but fictional. It is used in actual occult rituals, turning this event into a mega-ritual.

Mega-Ritual

While occult rituals usually happen behind closed doors, the elite loves to expose the masses to events drenched in satanic energy without them even realizing it. Some occult researchers call these events “mega-rituals,” where the dark spiritual tendencies of those in power are the dominant force in the public space. La Porte des Ténèbres is a perfect example of this agenda.

A giant horned demon named Lilith walks around the streets of Toulouse.

While the organizers of the event deny that it is Satanic (the first rule of Satanists is to deny that they’re Satanists), the symbolism says otherwise. For instance, Lilith’s earrings are inverted crosses – the main symbol of Satanism as a corruption of Christianity. On her belly is another clear inverted cross as other occult symbols adorn her body. Also, she’s literally called Lilith.

Other than her horrifying scorpion bottom half, Lilith is adorned with multiple symbols. One is an inverted version of the Trinity symbol, which represents the inversion of the Holy Trinity (Satanic).

The Minotaur also patrols the streets of Toulouse as he spits out clouds of smoke on bystanders.

The machines interact with each other as an esoteric ritual drama is carried out in plain sight.

There’s also a giant spider, because why not? Continuously exposing the masses to the ugly, horrific, and disgusting is part of the elite’s agenda of cultural breakdown.

On the promotional poster we’ve seen above, the spider had a creepy head above it, personalizing it. Also, the spider casted a pyramidal web on Lilith, hinting that she’s under his control. Does the spider represent Satan himself? Is Satan patrolling the streets of Toulouse?

The show culminates in a hellish matter as Lilith approaches a firey circle representing the Gate of hell.

The following short video captures the dark vibes of the show’s finale.