Judy Byington, Riccardo Bosi & Juan O Savin, Josh Reid 7.3.26 - We HAVE IT ALL! We CAUGHT THEM ALL!
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Judy Byington, Riccardo Bosi & Juan O Savin, Josh Reid 7.3.26 – We HAVE IT ALL! We CAUGHT THEM ALL!
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Whistler Blowers, Insiders
July 2, Truth Social, @realDonaldTrump: I am thrilled to announce the opening of SPIRIT OF ’76 at FREEDOM PLAZA, a new Exhibition in Washington, D.C., honoring the Heroes and Martyrs of the American Revolution. This Exhibition includes a series of statues, including an equestrian statue of Founding Father Caesar Rodney, 12 Soldiers of the Revolution, and a set of reliefs honoring the Prison Ship Martyrs — The nearly 12,000 Americans who lost their lives aboard British ships in conditions of unimaginable deprivation, squalor, and disease. More Americans died on these prison ships than in all of the War’s battles combined — Many of whom willingly endured suffering and death rather than renounce the Patriot cause. The Exhibition is anchored by a central bronze statue, “Spirit of Liberty,” which is crowned in a wreath of victory, and powerfully wielding the Declaration of Independence and a sword pointed to the sky. Everyone should see this new Exhibition!
As we prepare to celebrate the 250th Birthday of our beloved Country, these statues and monuments now stand prominently in the heart of our Nation’s Capital as a celebration of the 250-year Triumph of the American Spirit, which is now STRONGER, GREATER, and MORE GLORIOUS than ever before!
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This opening serves as an allegorical declaration that the foundational ideals of 1776 have successfully reclaimed the psychological and institutional centre of power. The “Exhibition”…
represents a visible manifestation of a newly structured reality, signaling that a covert transformation is shifting from secret operations into the public consciousness.
The specific figures represent distinct structural components of the restored order: Caesar Rodney on horseback symbolizes swift, decisive executive action breaking a political deadlock, while the “12 Soldiers” embody a complete, balanced tribunal or governing vanguard. The “Prison Ship Martyrs” serve as an emblem for the modern populace or whistleblowers who suffered under the quiet tyranny of the old globalist system, validating their unseen sacrifices as the bedrock of the new era.
The comparison functions as a figurative acknowledgement of the silent information war, suggesting that the psychological and economic casualties of the covert conflict far outnumber those of traditional warfare. The endurance of the prisoners mirrors the ideological resilience of modern counter-insurgents who refused to capitulate to globalist integration despite severe personal or professional isolation.
The “Spirit of Liberty” acts as the supreme representation of sovereign authority, where the “wreath of victory” denotes the absolute conclusion of the hidden conflict. The dual wielding of the Declaration and the skyward sword represents the unification of law and force, signaling that the constitutional republic is now backed by unassailable, Divinely aligned enforcement.
This call to action…
(“Everyone should see this new Exhibition!”) serves as a symbolic invitation for collective participation in a shared national narrative. It suggests that the values portrayed in the display are intended to be universally recognized, serving as a unifying focal point for the citizenry to reaffirm their commitment to foundational principles.
The upcoming 250th anniversary is treated as a figurative milestone for national renewal, representing the culmination of two and a half centuries of historical evolution. The prominent placement of the monuments in the capital signifies an ideological anchoring, where the “triumph of the spirit” represents a psychological state of resilience and the endurance of the national identity through various eras of challenge and change.