Is “The Assessment” a Script For a Globalist New World Order?

Warning: Dystopian spoilers ahead!

The Assessment is one of those “science fiction” movies where the “fiction” is not fun or fantastical; it is depressing and oppressive. Even worse, it is steeped in the agenda of powerful real-world organizations such as the World Economic Forum (WEF), causing viewers to wonder if it is only a matter of years before this terrible “fiction” becomes reality.

Set in a “New World” tightly controlled by an unnamed State, the movie follows a couple’s efforts to have a child—a difficult process in a society where natural procreation is forbidden.

As we watch the protagonists live isolated lives, we are also introduced to various aspects of their lifestyle, all of which are heavily regulated by the State. On many occasions, I wondered if I was watching a WEF propaganda film as numerous items promoted by this organization were seamlessly integrated into the story.

At this point, one realizes that the movie might be predictive programming “entertainment,” where the story is secondary to normalizing a way of life and preparing the viewers for what is to come. As if that wasn’t enough, the movie also heavily leans on a scenario involving pseudo-pedophilia.

In other words, The Assessment is just a heavy dose of the elite’s favorite obsessions. Here’s a look at the society depicted in this film.

New World

The Assessment does not begin with an elaborate prologue describing the origins of the New World. Instead, bits of information are revealed throughout the movie, mainly through dialogue and subtle visual clues.

In the movie’s first minutes, Mia walks towards her home as strange trails move around in the sky. We soon learn that the New World is under an “atmospheric dome” where the State controls the weather.

Inside her home, Mia constantly talks with an Alexa-like robotic voice named Sjøhus. This AI assistant is omnipresent throughout the movie, managing every aspect of her life. Interesting fact: This movie is distributed by Amazon, the maker of Alexa.

Sjøhus tells Mia:

“Suggested Senoxidine dosage: One tab.”

Mia follows Sjøhus’ recommendation and takes a tablet of this all-important medication.

Senoxidine is not a regular medication – it is a requirement of living in this New World. It is engineered to prevent aging, disease, and … reproduction.

In other words, Senoxidine is a population control medication. It prevents people from dying while disallowing new people from being created.

As characters in the movie discuss with each other, key aspects of this New World are revealed.

During a dinner party, a 153-year-old woman explains why she agrees with the New World’s population control policies. Appropriately enough, her name, Evie, means “life” and “living” in Hebrew and Latin. She doesn’t want to make room for new people by dying.

Evie explains how this New World came to be:

“In the beginning, all anyone could talk about was now nice it was to finally have decent summers. And then, the summers never stopped. Unbearable heat, endless storms. No crops, no shelter, nothing habitable. Famine. Disease. Countless species extinct. Did you know we tore each other apart of scraps?

And then one day, those of us who were left, we found a solution: a New World. We had to be smarter than we were before, because there wasn’t room for everyone. Choices had to be made. It wasn’t kind or nice, but it was necessary for survival.”

As seen in previous articles, the elite love to put this scenario in movies: An environmental collapse happens, and “privileged ones” form a New World, while the rest live in harsh conditions.

In this globalist-approved New World, technology and pharmaceuticals regulate everything. Furthermore, the State involves itself in people’s private lives to a disturbing degree.

For instance, here are screenshots of every couple seen in the movie. Can you identify what they have in common?

The movie’s protagonists, Aaryan and Mia.

Evie and her husband.

A couple who visited the protagonists for a dinner party with their child.

Another couple that is trying to have a child.

Yes, the movie makes it very obvious: In the New World, every couple is interracial—not some of them, but EVERY SINGLE ONE of them. This fact is not directly addressed in the movie, but is too obvious to ignore. Is it a requirement of the New World? It appears so.

Once again, this reflects the globalist elite’s goals: to blend everyone to form a uniform race that shares the elite’s homogenous culture.

In other words, the movie is a globalist manifesto. Even the actors featured in the film appear to have been specifically chosen because they all come from different parts of the world.

In the New World, this culture cannot be questioned. For instance, we learn that Mia’s mother was expelled to the Old World for “spreading lies and disinformation.” Again, one of the WEF’s obsessions is whining about “disinformation,” which can be defined as any fact they don’t agree with. In the New World, committing this sin leads to being thrown out of society.

In addition to geo-engineering, pharmaceutical obligations, and population control, the New World engages in another WEF-approved activity: eating bugs.

Mia prides herself on “creating a template for sustainable food everywhere.” Apparently, it means eating a nightmarish mountain of worms.

Later, we see another meal: Just a bunch of bugs. Mia is the worst cook in world history.

In my article “The Elite is Desperately Trying to Convince You to Eat Bugs. Here’s Why,” I highlighted the powers that be’s desperate attempts to make the masses eat bugs. This movie is part of it. These close-ups of bugs had nothing to do with the story, but they were placed there anyway. The goal: Normalization.

While Mia creates “sustainable food,” her partner Aaryan contributes to the New World in his own way: By creating virtual, lifelike pets.

Aaryan is a scientist tasked by the State with creating virtual pets. Here, he checks if this monkey feels right. Important work.

Aaryan explains the dark reason behind his fondling of monkeys all day long.

“The pet cull was part of the disease prevention and ressource conservation program. The problem was the State underestimated the psychological importance of companionship when they exterminated all the pets. I was tasked to create an alternative.”

The State had all pets killed. Also, it doesn’t allow procreation. Therefore, people are encouraged to seek love and companionship using AI-powered robots. This is already happening in real life.

In this dystopian context, Mia and Aaryan want to have a child. Before they can do so, they need to undergo a seven-day assessment by a government agent. Needless to say, things get weird.

The Assessment

The assessor, named Virginia, is often framed between the couple, symbolically representing the State putting itself between individuals.

In their first meeting, Virginia tells Mia and Aaryan:

“Over the next seven days, you’ll undergo close observation and formal testing to ascertain suitability for parenting. In the event of a pass, your material will be passed on for ex-utero gestation. All other methods of reproduction still remain forbidden.”

In the movie, “ex-utero gestation” is the only reproduction method authorized. We’re gradually seeing this happening in the real life.

A Chinese-made “gestation robot” prototype recently horrified people across the world.

The State-sent assessor has to live with the couple for a week. Her goal: To be as intrusive as possible. There is no privacy in this Big Brother State; everything is subject to surveillance and analysis.

For instance, Virginia asks Mia and Aaryan questions such as “How often do you have sex?”, “Oral, manual, or full?” and “Do you achieve regular climax?”

While Aaryan provides an obligatory semen sample, the assessor stands by to make sure he doesn’t “cheat.”

While Mia pleasures Aaryan, the assessor pops out of nowhere and observes them. Much to Mia’s horror, she must continue under the watchful eye of the State. An intimate moment turns into a humiliating ordeal.

Another part of Virginia’s job is to act like a bratty child to see how the couple responds. This is when the movie takes a “what the hell am I watching?” turn.

As Virginia acts like a child, she also does things that could be considered flirty, such as jumping on Aaryan’s back and calling him “daddy” suggestively.

As Virginia uses her innocent child act to engage in behavior that can be considered seductive, Mia becomes increasingly upset, but she cannot say anything. Meanwhile, Aaryan is somewhat pleased with the attention.

Then, it happens. While Mia has to spend the night outside the house, Virginia visits Aaryan in his bedroom.

At first, Virginia acts like a child who is scared at night. Then, they have very confusing sex.

As if this scene wasn’t off-putting enough, things get even weirder the next day.

The morning following the sexual encounter, Virginia acts like a toddler while Aaryan makes breakfast.

In short, the movie exposes the viewers to another obsession of the elite: Pedophilia.

Yeah, this is a line in the movie.

Not surprisingly, Virginia finally announces that the couple failed the assessment and Mia learns what happened. Then, the three main characters take three widely diverging paths.

Different Paths

After the assessment, Virginia leaves the couple and returns to her normal life. When Mia tracks her down and confronts her, we get the big twist: Everyone fails the assessment. The State doesn’t want any new children, and they only keep doing assessments because “stopping it would be bad for morale.”

This means that Virginia is not there to “assess” anything; she’s there to destroy the lives and dreams of couples who dare to want a child. It also means that she’s kind of a prostitute, as she’s paid to have home-wrecking sex with people. After revealing everything to Mia, Virginia says:

“I’ve done everything that they’ve asked of me! And I’ve been spat on, I’ve been demeaned and I’ve been debased. I’ve sacrificed every single part of me that is left.”

Indeed, the elite doesn’t want strong-minded people with values and dignity. They want demeaned and debased people willing to do anything for the State. That makes them much easier to control.

After realizing the sadness of her existence, Virginia commits suicide.

Meanwhile, Aaryan devised a “solution” to the couple’s issue: He created a virtual baby.

After holding the virtual baby for a few seconds, Mia realizes that she hates it and throws it on the ground.

Mia tells Aaryan:

– She doesn’t smell of anything. She has no smell. I just want human.
– It’s the price to drink clean water, to live, to breathe.

To live in the elite’s New World, one must agree to live a sad, isolated, artificial life. Mia doesn’t want to do that, so she travels to the Old World, knowing she won’t live long out there.

Those crossing the border to the Old World must relinquish their Sinoxidine supply. This means they will be subjected to disease and death.

While Mia embraces the harshness (and relative freedom) of the Old World, Aaryan does the exact opposite.

While Aaryan is outside, we see Mia entering the house. The reddish trail behind her indicates that Aaryan created a virtual Mia.

As Aaryan plays with a daughter who appeared out of nowhere, we understand that he created a virtual family for himself.

To keep enjoying the comforts of the New World, Aaryan did what is strongly encouraged by the State: To live a lonely, isolated existence where the need for human contact is filled by technology. Considering that numerous people are already in “relationships” with AI chatbots, this is not “science fiction,” this is “science that’s about to happen.” This movie is merely normalizing it, as Aaryan is the character with, relatively, the best ending.

In Conclusion

The Assessment is reminiscent of movies such as the Obama-produced Leave the World Behind, where the oppressive scenario is disturbingly within the realm of possibility. In these movies, the “science fiction” is not fantastical entertainment; it is dread-inducing programming. As we watch people who are dead inside go about their lives, we are exposed to their WEF-approved, bug-infested diet, their reliance on pharmaceutical drugs, their obsession with population control, their complete lack of privacy, and, bizarrely enough, their obligatory mixed-race relationships.

While all of these things can be defended by the powers that be using lofty words such as “sustainable,” the movie also exposes the viewers to a heavy dose of pseudo incest and pedophilia. That’s because, behind the propaganda, those in power are actually deranged, power-hungry degenerates.

In reality, every aspect of this New World reflects the elite’s insatiable need for greed, power, and control. But there is more to this. They also need to see through their multiple pervasions, which include seeing people exploited, debased, and humiliated.

After exposing the viewers to this unhinged vision of society, they are presented with three choices: Go with the program like Aaryan, die like Virginia, or seek freedom like Mia (but you will also die soon enough). Sounds good?

Thank you, entertainment industry, for another fun movie night!

The post Is “The Assessment” a Script For a Globalist New World Order? first appeared on The Vigilant Citizen.