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The Cryptic Symbolism in Kanye West and Travis Scott’s “Father”

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Kanye West and Travis Scott have a lot in common. In 2012, Kanye acted as an early mentor to Scott and introduced him to the industry while he was still a teenager. Around the same time, Kanye formalized his relationship with Kim Kardashian and entered this coven of witches (sorry, I meant “family”). A few years later, Scott also got into a serious relationship with Kylie Jenner, a member of the Kardashian clan. And, like Kanye, he’s had multiple children with her.


Kanye and Travis Scott look thrilled to be with Kris Jenner, the head witch in charge.

Like those of most men who came close to the Kardashians, the careers and personal lives of Kanye and Scott took a dark and bizarre turn while under their spell.

An entire book could be written about Kanye’s case, but the main turning point was his forced 2016 hospitalization from which he emerged a very different person. In my multiple articles about this event, I explained how everything about it pointed to MKULTRA-style reprogramming – a fact that was acknowledged by industry insiders and Kanye himself.

In 2021, Travis Scott’s career also took an extremely dark turn when his Astroworld festival – which already had dark and ritualistic undertones – ended with the death of over 10 people. Strange fact: The festival took place on Kris Jenner’s 66th birthday.

In other words, both artists went deep into the industry’s dark side. And, despite being among the biggest artists in the world, they both became industry pariahs as their names were associated with death and controversy.

In late 2022, Kanye’s divorce from Kim Kardashian was finalized, and, around the exact same time, Scott’s relationship with Jenner officially ended. The weirdness did not end, however. Kanye’s new relationship with Bianca Censori turned into a media circus centered around her sexual humiliation and degradation.

After a couple of years of bizarre public appearances, Censori appears to have “paid her dues” and was allowed to become an artist. Last year, Censori presented BIO POP, an art show featuring a hefty dose of occult elite symbolism.


BIO POP featured humans as furniture and carried strong MKULTRA symbolism.

For her second major project, Censori was tasked with directing the video for Kanye and Travis Scott’s Father. With a similar, somewhat off-putting style, Censori crafted a heavily symbolic short film.

Here’s a look at it.

Oppressive Father


The entirety of Father consists of a still shot inside a church filled with odd characters.

Given that many things happen simultaneously in this video, the best way to experience it is to focus on a specific character each time you watch. Through these mini-scenarios, the video communicates the true nature of the church and its attendees.

The video begins with the priest entering and starting Mass. Then, things get immediately weird.


A knight on a black horse walks towards the priest, who makes a sign of blessing.

On a basic level, the presence of a horse inside a church is rather disrespectful to this sacred, spiritual place. As we’ll see, nearly nobody in this church is actually there to pray. On a symbolic level, the knight is one of the many figures of power and authority who enter the church.

Some see this scene as a representation of the Black Horse of the Apocalypse, especially given the video’s religious setting. In Revelation, the black horse represents famine and economic collapse, and the horseman is depicted as an emaciated man carrying weighing scales, symbolizing food scarcity and rising prices. Also, of course, the Horsemen precede the coming of the Antichrist. That said, in the video, the knight does not carry scales, so the association with the Third Horseman of the Apocalypse is not unequivocal.

As soon as the knight leaves the frame (we later see him sitting on a pew), a modern type of cavalry enters: Police officers.


Sitting in the back of the church, one nun is seen sleeping during Mass.

Two policemen enter the church, arrest the nun, and remove her from the premises. Meanwhile, nobody bats an eye.

At this point, this church looks less like a place of worship and more like an oppressive system where those who do not comply get expelled. In this context, “Father” is less of a compassionate God and more of an authoritative figure in society.

Kanye, who’s been sitting motionless the entire time, eventually gets apprehended as well. But not by the police, but by NASA (or something).


In the background, we see two astronauts pointing to a flying saucer as it lands on Earth. Are we even on Earth?

The space police remove Kanye’s mask to uncover his true alien face. Then, they drag him out of the church as he remains motionless.

As this is happening, we hear Kanye say:

Bye-bye to my old self (Old self)
Wake up to the new me (It’s a new me)

As stated above, Kanye underwent MKULTRA-style reprogramming that profoundly transformed him, even leading to rumors of him being cloned and replaced. The fact that “space agents” unmask Kanye while he sings about a “new me” might symbolize him being removed from the system (represented by the church) because he did not originally fit in.

Later in the video, Travis Scott does the opposite.


As Kanye is taken away, an alien gets off the flying saucer and enters the church.

The alien is Travis Scott, and he’s about to get married to some rather young-looking twins.

Contrary to Kanye, Travis apparently “complied” with the church system by removing his alien (outsider) mask. He was then “rewarded” with twins, which, according to his song TOPIA TWINS, is his “favorite fetish.”


Travis leaves with the twins without once setting eyes on either of them. There is no love involved in this arranged affair.

The things that happen in this church are not particularly godly – it is mainly about industry control and weirdness. Kanye’s lyrics go in the same direction:

Know you wonder where the F he been (Where he been)
But I’m back to life like an Epi-Pen
And she still in the leopard skin
And I check me out, then check me in

In these few lines, Kanye compares himself to Jesus (back to life) and refers to Sex Kitten programming (“she still in the leopard skin”). Interestingly, the humiliation and degradation that Bianca Censori went through in the past years are staples of Sex Kitten programming.

As the stories of Kanye and Travis Scott play out, other characters also do symbolic things throughout the video.

The Other Characters


Throughout the video, this man tries to impress the woman next to him with magic, including the classic burning wallet trick.

The man doesn’t seem to realize an important fact: He’s trying to impress a mannequin. After a while, the man makes a “the hell with you” gesture and leaves. Why is there a mannequin sitting in the church, and why doesn’t this man realize that she’s not a living person? The answer will become clearer at the end of the video.


This woman is using the church for clout, posing for cameras during mass while nobody bats an eye.

Meanwhile, a kid in the attendance misbehaves and blows out one of the priest’s candles.


The mother walks up to the priest and apologizes. But why does she have a cat face?

She might be an older version of Catwoman from Kanye’s 2016 video Fade. She now appears to be a single mother, and her son is out of control. Is this a comment on modern families?

In the multiple screenshots above, you probably noticed that Michael Jackson is sitting there the entire time, staring at our souls.


A Michael Jackson look-alike sits motionless throughout the video.

Kanye has a long history of referring to Michael Jackson. And the reason might be extremely dark.

Michael Jackson died in 2009 of “acute Propofol intoxication,” which was administered by his personal physician Conrad Murray. On several occasions, Kanye affirmed that Jackson was killed because he spoke up against the industry some years prior.

Kanye might be obsessed with Michael Jackson’s death for very personal reasons: His mother, Donda West, died in 2007 after a botched surgery, where the doctor was also blamed. In 2022, Kanye literally stated that she had been “sacrificed.”

Finally, one character exposes the true nature of this church and those who attend it.


At the start of the video, a man walks by the church window holding a large crucifix.

Once everyone leaves, the man with the crucifix enters the church and sits down.

He might be the only one who’s there for the right reason: Jesus. The only others that remain are the mannequin, the weird tiny version of the Virgin Mary, and the choir that keeps moving robotically even if the mass is over and there’s no music. Is this a comment on churchgoers in general?

In Conclusion

In many ways, Father is very Kanye West. It appears to be Christian while constantly contradicting it, and it appears to criticize the industry even as both Kanye and Travis Scott are deep in it. Furthermore, the video blatantly tells us that we’re not truly looking at Kanye and Travis, but at masks to fit in … or fit out.

In other words, Father is a perfect representation of our times, in which confusion and deception lead people astray, while those who do not comply are escorted out by agents of the system.

The post The Cryptic Symbolism in Kanye West and Travis Scott’s “Father” first appeared on Vigilant Citizen.


Source: https://vigilantcitizen.com/musicbusiness/the-cryptic-symbolism-in-kanye-west-and-travis-scotts-father/


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Before It’s News® is a community of individuals who report on what’s going on around them, from all around the world. Anyone can join. Anyone can contribute. Anyone can become informed about their world. "United We Stand" Click Here To Create Your Personal Citizen Journalist Account Today, Be Sure To Invite Your Friends.


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